French novelist and playwright (1799-1850)
Passions are as mean as they are cruel.
HONORÉ DE BALZAC
A Daughter of Eve
Correspondence, in which the pen is always bolder than speech, and thought, wreathing itself with flowers, allows itself to be seen without disguise.
HONORÉ DE BALZAC
A Daughter of Eve
Love has its own instinct, finding the way to the heart, as the feeblest insect finds the way to its flower, with a will which nothing can dismay nor turn aside.
HONORE DE BALZAC
A Woman of Thirty
For some days I have begun to tremble when I think of the destiny of women, and to understand why so many wear a sad face beneath the flush brought by the unnatural excitement of social dissipation. Marriage is a mere matter of chance. Look at yours. A storm of wild thoughts has passed over my mind. To be loved every day the same, yet with a difference, to be loved as much after ten years of happiness as on the first day!—such a love demands years. The lover must be allowed to languish, curiosity must be piqued and satisfied, feeling roused and responded to.
HONORÉ DE BALZAC
Letters of Two Brides
A husband will be best avenged by his wife's lover.
HONORÉ DE BALZAC
Physiology of Marriage
Hunger is not so violent as love; but the caprices of the soul are more numerous, more bewitching, more exquisite in their intensity than the caprices of gastronomy; but all that the poets and the experiences of our own life have revealed to us on the subject of love, arms us celibates with a terrible power: we are the lion of the Gospel seeking whom we may devour.
HONORÉ DE BALZAC
Physiology of Marriage
If poetry, music and painting have found infinite forms of expression, pleasure should be even more diversified. For in the three arts which aid us in seeking, often with little success, truth by means of analogy, the man stands alone with his imagination, while love is the union of two bodies and of two souls. If the three principal methods upon which we rely for the expression of thought require preliminary study in those whom nature has made poets, musicians or painters, is it not obvious that, in order, to be happy, it is necessary to be initiated into the secrets of pleasure? All men experience the craving for reproduction, as all feel hunger and thirst; but all are not called to be lovers and gastronomists. Our present civilization has proved that taste is a science, and it is only certain privileged beings who have learned how to eat and drink. Pleasure considered as an art is still waiting for its physiologists. As for ourselves, we are contented with pointing out that ignorance of the principles upon which happiness is founded, is the sole cause of that misfortune which is the lot of all the predestined.
HONORÉ DE BALZAC
Physiology of Marriage
If a man strike his mistress it is a self-inflicted wound; but if he strike his wife it is suicide!
HONORÉ DE BALZAC
Physiology of Marriage
Little minds need to practise despotism to relieve their nerves, just as great souls thirst for equality in friendship to exercise their hearts.
HONORE DE BALZAC
Pierrette
Silliness has two ways of comporting itself; it talks, or is silent. Silent silliness can be borne.
HONORÉ DE BALZAC
Pierrette
The apparition of that august old woman, in her Breton costume, shrouded in her coif (a sort of hooded mantle of black cloth), accompanied by Brigaut, appalled Sylvie; she fancied she saw death.
HONORÉ DE BALZAC
Pierrette
Dost thou not see the nature of my love, a love without self-interest; a sentiment full of thee, thee only; a love which follows thee into the future to light that future for thee—for it is the one True Light. Canst thou now conceive with what ardor I would have thee leave this life which weighs thee down, and behold thee nearer than thou art to that world where Love is never-failing? Can it be aught but suffering to love for one life only? Hast thou not felt a thirst for the eternal love? Dost thou not feel the bliss to which a creature rises when, with twin-soul, it loves the Being who betrays not love, Him before whom we kneel in adoration?
HONORÉ DE BALZAC
Seraphita
Woman understands all things through love; what she does not understand she feels; what she does not feel she sees; when she neither sees, nor feels, nor understands, this angel of earth divines to protect you, and hides her protection beneath the grace of love.
HONORÉ DE BALZAC
Seraphita
However portentous a fact may be, or even supernatural--if such facts exist--however solemnly a miracle may be done in sight of all, the lightning of that fact, the thunderbolt of that miracle is quickly swallowed up in the ocean of life, whose surface, scarcely stirred by the brief convulsion, returns to the level of its habitual flow.
HONORÉ DE BALZAC
Seraphita
Do for God what you do for your ambitious projects, what you do in consecrating yourself to Art, what you have done when you loved a human creature or sought some secret of human science. Is not God the whole of science, the all of love, the source of poetry? Surely His riches are worthy of being coveted! His treasure is inexhaustible, His poem infinite, His love immutable, His science sure and darkened by no mysteries.
HONORÉ DE BALZAC
Seraphita
Paris is the crown of the world, a brain which perishes of genius and leads human civilization; it is a great man, a perpetually creative artist, a politician with second-sight who must of necessity have wrinkles on his forehead, the vices of a great man, the fantasies of the artist, and the politician’s disillusions. Its physiognomy suggests the evolution of good and evil, battle and victory; the moral combat of ‘89, the clarion calls of which still re-echo in every corner of the world; and also the downfall of 1814. Thus this city can no more be moral, or cordial, or clean, than the engines which impel those proud leviathans which you admire when they cleave the waves! Is not Paris a sublime vessel laden with intelligence? Yes, her arms are one of those oracles which fatality sometimes allows. The City of Paris has her great mast, all of bronze, carved with victories, and for watchman—Napoleon. The barque may roll and pitch, but she cleaves the world, illuminates it through the hundred mouths of her tribunes, ploughs the seas of science, rides with full sail, cries from the height of her tops, with the voice of her scientists and artists: "Onward, advance! Follow me!" She carries a huge crew, which delights in adorning her with fresh streamers. Boys and urchins laughing in the rigging; ballast of heavy bourgeoisie; working-men and sailor-men touched with tar; in her cabins the lucky passengers; elegant midshipmen smoke their cigars leaning over the bulwarks; then, on the deck, her soldiers, innovators or ambitious, would accost every fresh shore, and shooting out their bright lights upon it, ask for glory which is pleasure, or for love which needs gold.
HONORÉ DE BALZAC
The Girl with the Golden Eyes
Between persons who are perpetually in each other's company dislike or love increases daily; every moment brings reasons to love or hate each other more and more.
HONORÉ DE BALZAC
The Vicar of Tours
Though the great things of life are simple to understand and easy to express, the littlenesses require a vast number of details to explain them.
HONORÉ DE BALZAC
The Vicar of Tours
In one of the finest houses of the rue Neuve-des-Mathurins, at half-past eleven at night, two young women were sitting before the fireplace of a boudoir hung with blue velvet of that tender shade, with shimmering reflections, which French industry has lately learned to fabricate. Over the doors and windows were draped soft folds of blue cashmere, the tint of the hangings, the work of one of those upholsterers who have just missed being artists. A silver lamp studded with turquoise, and suspended by chains of beautiful workmanship, hung from the centre of the ceiling. The same system of decoration was followed in the smallest details, and even to the ceiling of fluted blue silk, with long bands of white cashmere falling at equal distances on the hangings, where they were caught back by ropes of pearl. A warm Belgian carpet, thick as turf, of a gray ground with blue posies, covered the floor. The furniture, of carved ebony, after a fine model of the old school, gave substance and richness to the rather too decorative quality, as a painter might call it, of the rest of the room. On either side of a large window, two etageres displayed a hundred precious trifles, flowers of mechanical art brought into bloom by the fire of thought. On a chimney-piece of slate-blue marble were figures in old Dresden, shepherds in bridal garb, with delicate bouquets in their hands, German fantasticalities surrounding a platinum clock, inlaid with arabesques. Above it sparkled the brilliant facets of a Venice mirror framed in ebony, with figures carved in relief, evidently obtained from some former royal residence. Two jardinieres were filled with the exotic product of a hot-house, pale, but divine flowers, the treasures of botany.
HONORÉ DE BALZAC
A Daughter of Eve
A fact worthy of remark is the aversion shown to such conversations by women who are enjoying some illicit happiness; they maintain before the eyes of the world a reserved, prudish, and even timid countenance; they seem to ask silence on the subject, or some condonation of their pleasure from society. When, on the contrary, a woman talks freely of such catastrophes, and seems to take pleasure in doing so, allowing herself to explain the emotions that justify the guilty parties, we may be sure that she herself is at the crossways of indecision, and does not know what road she might take.
HONORÉ DE BALZAC
A Daughter of Eve