quotations about writing
For those who do not write and who never have been stirred by the creative urge, talk of muses seems a figure of speech, a quaint concept, but for those of us who live by the Word, our muses are as real and necessary as the soft clay of language which they help to sculpt.
DAN SIMMONS
Hyperion
I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
I am not someone who is very good at writing a certain amounts every day. I know that's what one is told one should do, but what I tend to do is kind of sequester myself away while I am in London for a few weeks at a time and become very antisocial and write very, very intensively over a relatively short time. I am much more of a burst writer than a steady-state writer.
CHINA MIÉVILLE
"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld
The novelist is like the conductor of an orchestra, his back to the audience, his face invisible, summoning the experience of music for the people he cannot see. The writer as conductor also gets to compose the music and play all of the instruments, a task less formidable than it seems. What it requires is the conscious practice of providing an extraordinary experience for the reader, who should be oblivious to the fact that he is seeing words on paper.
SOL STEIN
Stein on Writing
I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character--the author will do well to entrust the reader with this part of the work.
JOSÉ SARAMAGO
The Paris Review, winter 1998
I will agree that inspired writing is liquid gold when it comes to getting our words on paper. However, only writing when one feels inspired is a quick way to produce little to no content. If we waited to exercise only when we felt inspired we likely wouldn't be getting much movement. When something isn't habit those feelings of inspiration start coming further and further in between.
DANIELLE SABRINA
"5 Habits Holding You Back From Creating Great Content", Huffington Post, February 29, 2016
Writing has freed me from the despair of living.
ANITA BROOKNER
The Paris Review, fall 1987
To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence--words you have dreaded and needed in order to know you exist.
ADRIENNE RICH
What Is Found There: Notebooks on Poetry and Politics
Here's a news flash--writers are selfish people. Truth is, creative types like me are driven by one impulse--to make up a world in which we get to control everything and everyone. We decide who enters and who exits, what the weather will be, who will hook up with whom, who will win and who will lose. It makes us feel powerful and, in all honesty, has relatively little to do with thinking about what will make anyone else happy.
VICTORIA LAURIE
acknowledgements, What's A Ghoul to Do?
Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.
MORDECAI RICHLER
interview, Brick 81, 1989
I'm grateful when stories come in a rush, although I keep an eye on them afterwards, to see whether they hold together. It's harder to judge the ones that took so long to finish. With those, I've lost perspective. Mostly I'm just glad that I can be done with them.
KELLY LINK
"Words by Flashlight", Sybil's Garage, June 7, 2006
Irish English is a very different beast from English English or American English. Very different. The way in which Irish writers are only too happy to infuse their language with ambiguity is very different. An English writer will try to be clear. Orwell said that good prose should be like a pane of glass. The Irish writer would say: 'No no, it's a lens, it distorts everything.'
JOHN BANVILLE
"Oblique dreamer", The Guardian, September 17, 2000
The economy of a novelist is a little like that of a careful housewife who is unwilling to throw away anything that might perhaps serve its turn. Perhaps the comparison is closer to the Chinese cook who leaves hardly any part of a duck unserved.
GRAHAM GREENE
from journal kept while writing A Burnt-Out Case
Cautious men have many adverbs, "usually," "nearly," "almost ": safe men begin, " it may be advanced " : you never know precisely what their premises are, nor what their conclusion is; they go tremulously like a timid rider; they turn hither and thither; they do not go straight across a subject, like a masterly mind.
WALTER BAGEHOT
Literary Studies
What I had to face, the very bitter lesson that everyone who wants to write has got to learn, was that a thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.
THOMAS WOLFE
Selections from the Works of Thomas Wolfe
Each book starts from ashes.
PHILIP ROTH
interview with Cynthia Haven, "The Book Haven"
It's easy, after all, not to be a writer. Most people aren't writers, and very little harm comes to them.
JULIAN BARNES
Flaubert's Parrot
The writer should never be ashamed of staring. There is nothing that does not require his attention.
FLANNERY O'CONNOR
attributed, Room to Write: Daily Invitations to a Writer's Life
Fiction shows us the past as well as the present moment in mortal light; it is an art served by the indelibility of our memory, and one empowered by a sharp and prophetic awareness of what is ephemeral. It is by the ephemeral that our feeling is so strongly aroused for what endures, or strives to endure.
EUDORA WELTY
On Writing
All you have to do is write one true sentence. Write the truest sentence you know.
ERNEST HEMINGWAY
A Moveable Feast