WRITING QUOTES XXII

quotations about writing

You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.

HAROLD PINTER

The Progressive, March 2001

Tags: Harold Pinter


So much of a novelist's writing, as I have said, takes place in the unconscious: in those depths the last word is written before the first word appears on the paper. We remember details of our story, we do not invent them.

GRAHAM GREENE

The End of the Affair


There is only one way to make money at writing, and that is to marry a publisher's daughter.

GEORGE ORWELL

Down and Out in Paris and London

Tags: George Orwell


When I was teaching -- I taught for a while -- my students would write as if they were raised by wolves. Or raised on the streets. They were middle-class kids and they were ashamed of their background. They felt like unless they grew up in poverty, they had nothing to write about. Which was interesting because I had always thought that poor people were the ones who were ashamed. But it's not. It's middle-class people who are ashamed of their lives. And it doesn't really matter what your life was like, you can write about anything. It's just the writing of it that is the challenge. I felt sorry for these kids, that they thought that their whole past was absolutely worthless because it was less than remarkable.

DAVID SEDARIS

January Magazine, June 2000

Tags: David Sedaris


If there is an occupational hazard to writing, it's drinking.

CORMAC MCCARTHY

New York Times, April 19, 1992

Tags: Cormac McCarthy


Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.

CHINUA ACHEBE

Anthills of the Savannah


There are three rules for writing the novel. Unfortunately, no one knows what they are.

W. SOMERSET MAUGHAM

attributed, Literary Agents: How to Get & Work with the Right One for You

Tags: W. Somerset Maugham


To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.

URSULA K. LE GUIN

The Guardian, December 17, 2005

Tags: Ursula K. Le Guin


While I am writing, the sea's roar is coming up to me, and I close my eyes. I am looking into an unborn and shapeless world that longs to be called to life and order, I am looking into a throng of phantoms of human forms which beckon me to conjure them and set them free: some of them tragic, some of them ridiculous, and some that are both at once.

THOMAS MANN

Tonio Kröger


The life of a writer is absolute hell ... if he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.

ROALD DAHL

Boy

Tags: Roald Dahl


If you want to write ... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads.

RAY BRADBURY

attributed, Words from the Wise

Tags: Ray Bradbury


I'm a pretty autobiographical writer. I like a high ratio of true events to made-up events or rearranged events. I've always felt that if you think you can find a way to tell the truth and keep the fictional flux going, it's at least a good idea to try, because very often the truth is more interesting than the posed picture, the tableau. The messiness of truth is a useful corrective.

NICHOLSON BAKER

The Paris Review, fall 2011

Tags: Nicholson Baker


Any writer of any worth at all hopes to play only a pocket-torch of light -- and rarely, through genius, a sudden flambeau -- into the bloody yet beautiful labyrinth of human experience, of being.

NADINE GORDIMER

Nobel Lecture, December 7, 1991

Tags: Nadine Gordimer


I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.

LOUIS AUCHINCLOSS

interview, Bomb Magazine, fall 1997

Tags: Louis Auchincloss


I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.

JEANETTE WINTERSON

The Paris Review, winter 1997

Tags: Jeanette Winterson


The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


I made up my mind long ago to follow one cardinal rule in all my writing -- to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics -- Well, they can do whatever they wish.

ISAAC ASIMOV

introduction, Nemesis

Tags: Isaac Asimov


The trouble with writing fiction is that it has to make sense, whereas real life doesn't. It's incredibly annoying for us scribblers.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013

Tags: Iain M. Banks


I couldn't imagine, and I don't say this with any pride, but I really couldn't imagine writing without a desperate deadline.

HUNTER S. THOMPSON

The Paris Review, fall 2000


An author in his book must be like God in the universe, present everywhere and visible nowhere.

GUSTAVE FLAUBERT

letter to Madame Louise Colet, December 9, 1852

Tags: Gustave Flaubert